Autumn seems to get later and later each year, perhaps a sign of the times in these days of global warming. The leaves here in Norfolk are only just colouring up, so to capture the mood of autumn here is a shot from my garden instead. It's a wild carrot seed head photographed against a backdrop of autumn flowering pink sedum in my butterfly and bee flower garden in gorgeous soft golden light we had yesterday afternoon before the clock change.
I love observing nature and the changing seasons at home in my wildlife garden and in the Norfolk countryside often accompanied by my loyal canine companion Starrydog. I enjoy taking photos of Norfolk butterflies, wildflowers and other flora and fauna that I happen across and learning about them. Bookmark my Norfolk nature photo blog to keep up to date with my photographic adventures.
Some friendly September weather did seem to bring out a small flurry of late emergences in some species who had a tough year like small coppers. Finger’s crossed for a better season next year!
Sometimes muted grey skies can be a blessing in disguise, as was the case with this shot. High contrast full summer light can be tricky to contend with during the day. This soft pastel palette of sea lavender in Holkham bay was only possible thanks to some heavy leaden grey cloud skies creating soft even light conditions. Taken with the new Olympus 300mm pro-lens.
A slightly bizarre blog post title, I know. The connection is that these were the first two subjects that I photographed with the newly launched Olympus 300mm f4.0 pro lens. In old money that gives an effective reach equivalent to some 600mm, a wildlife photographers dream lens. But I wondered if a bokeh was possible, whether the images would really be as sharp as Olympus claimed, and whether the lens might be suitable for long lens macro photography.
Some pretty wild carrot flower seedheads, known as Queen Anne's lace, were my first attempted subject. Immediately I took the lens cap off I had a nasty shock. The lens simply wouldn't focus. The focus point refused to stay still, it bouncedaround lly all over the place. Feeling deflated and not a little seasick from the circular motion I went to do a little investigation and realised that I needed to upgrade my camera's firmware to support the latest in camera focus stabilisation.
That done. the camera's focus improved dramatically and behaved beautifully again. I finished taking my shot of the wild carrots' dainty seedheads and was pleasantly suprised at the sharpness and bokeh I that was able to achieve.
That still left the question of whether, with the predictably long minimum focus distance of 1.4m, the 300mm lens would be at all suitable for larger less tolerant butterflies and dragonflies, some of my all time favourite macro subjects to photograph.
An obliging red admiral butterfly very much preoccupied with nectaring on my garden privet hedge allowed me to put the lens through its paces. Because of the long reach, it was a little challenging to get the focus spot on and the 1.4m minimum focus distance was, as expected a real constraint, so I am still dreaming of a nice 100mm f4.0 macro with a minimum focal range more like 40cm. Even so I did get some lovely shots rich with detail and could see this lens working nicely with tree top species.